
General Kim Yu Shin - Korea's Greatest General
Excerpts From:
KUK SOOL WON: A Brief History
by
Phillip Holmes, Kwang Ja Nim
Edited by Suh, In Hyuk, Kuk Sa Nim
With assistance from John Cockaday
TKD and Korean Martial Arts, February- March 2002
The will to survive is inherent in all living creatures. From time immemorial, humans have had to fight to survive, and when we look honestly at the world today, circumstances have not changed to any great degree. One has only to pick up a newspaper or listen to a news bulletin on the radio or television to become aware of yet another atrocity of one sort or another. Although as individuals, generally speaking, we have no great control over the events that occur on a global scale, we can, to a certain degree, influence the destinies of our own lives. Therefore, to some it is a matter of great importance whether we allow ourselves, or our fellow human beings, to be robbed, attacked, mutilated, or even killed, without trying to do something to prevent this violation of our peaceful existence.
It was probably this view which compelled the ancient masters of the Korean martial arts to devise sophisticated systems of self-protection. Moreover these systems were effused with a philosophical, ethical and spiritual framework that helped ensure they would not be used for retaliation, coercion or aggression. Great care was taken that these physical, mental and spiritual techniques were developed, controlled and transmitted from one generation to the next with almost military precision. This ensured that only those who were worthy might learn the secrets of the masters.
In this, the first of three articles on Kuk Sool, although we focus on the History of Korean Martial Arts, to do so, we must also explore the history of Korea, for the country and its martial arts are inextricably interwoven. Modern Korea is as much a product of its martial arts, as its martial arts are a product of the country. What we shall see emerge is the Korean "martial spirit" that has endured throughout. An examination of this martial spirit being the heroic exploits of Admiral Lee, Sun Shin (1) considered the greatest naval commander in Korean history, who is as famous in the East as Admiral Horatio Nelson is in the West.
Therefore, this article traces a chronological route from Korea's ancient tribal beginnings to the present day, and explores how history, politics religion as well as Korea's early martial arts systems have helped shape modern Korea martial arts in general and Kuk Sool (traditional Korean martial arts) in particular.

There are virtually no surviving written records relating to ancient Korea and its martial arts prior to the 11th century CE. (2) However, we are fortunate in having two works of reference compiled during the KORYO DYNASTY (935-1392 CE), whose authors, although not contemporary with the events they describe, appear to have had access to far more ancient documents as their source of information. Unfortunately, those ancient documents have either disappeared or have been destroyed.
The first of these works is the SAMGUK SAGI - History of the Three Kingdom of Ancient Korea - which was compiled and written by KIM, PU SIK (1075-1151 CE). He was a high court official of the KORYO court, and his work was sanctioned as the official history of that period. The second work of the reference is the SAMGUK YUSA - Legends of the Three Kingdoms of Ancient Korea - compiled and written by the Buddhist monk, ILYON (1206-1289 CE), who was the National Priest of KORYO.
Unfortunately, scant reference is made in either book to the martial arts. In the SAMGUK SAGI, there is mention of Korean swordsmanship and in the SAMGUK YUSA, mention of Royal Court martial arts contests. Nevertheless, together, these two chronicles of Korea's ancient part are rich in historical fact, legend, folklore and mythology and interested scholars from both East and West study these books in order to understand and gain insight into the historical culture and development of the Korean nation.
Although we may not have ancient written texts to prove the historical authenticity of the Korean martial arts, paintings and sculpture sound on the walls of caves, dating back hundreds of years, do depict warriors in martial arts postures and stances. Possibly the most famous stone sculpture of all is the SOKKURAM grotto (circa. 8th century CE). In some paintings, there can be seen archers on horseback, in others, ancient Korean martial arts such as SOO BAK KI and ancient Korean wrestling known as SSIRIUM. These artifacts can serve only to support the oral and physical transmission of these very special arts and skills, which remain virtually unchanged to this day.
The first Korean martial art "system" to develop was SADO MUL SOOL, which means "family" or "tribal" martial arts and has its roots way back in ancient Korean history. The formation of the Three Kingdoms, at the dawn of the 1st millennium CE, brought with it kings, queens and royal armies and thereby the second form of Korean martial arts was born. These were called KOONG JOONG MU SOOL, which translates as "Royal Court" martial arts. The third aspect of Korean martial arts to develop were BUL KYO MU Sool or "Buddhist" martial arts, which were introduced Korea by monks from China in the 4th and 5th centuries CE.
It is also interesting to record that different techniques or aspects of the Korean martial arts developed in, or were characteristic of, certain areas of Korea. For example, BAK SOOL, Head Butting Techniques, were a prominent feature of KOGURYO; SOO GI, Hand Striking Techniques, were favored by SILLA; and JOK SOOL, Kick Striking Techniques, were widely used in PAEKCHE. (3) Most contemporary systems of Korean marital arts derive their techniques from one or more of these ancient traditions or have amalgamated with, or have been influenced by, either Chinese or Japanese martial arts. However, the art of KUK SOOL is a systematic study, compilation, integration and further development of all three indigenous martial art systems of Korea.
Modern times have seen the explosion onto the international scene of a plethora of new martial arts styles, systems and organizations. Within these two types or groups can be discerned. The first group is characterized by having great and charismatic leaders of demonstrable knowledge, skill and in some cases, ancient lineage. The second type comprises of splinter groups that spawned yet further splinter groups. They are often headed by individuals whose motivations range from the financial to the egotistical. They have no genuine history, foundation or future. The martial art system of KUK SOOL falls firmly into the first category of "new systems."
The names KUK SOOL and KUK SOOL WONtm were coined and first used in 1958 by Suh, In Hyuk, when he founded the art, and represents a uniquely comprehensive study of the traditional Korean martial arts. Although when one hears the term martial arts, one would naturally think of "physical" skill, however, with KUK SOOL, there is an implicit meaning that goes much further to include the cultural, philosophical, mental and spiritual heritage of the Korean martial arts and psyche.
KUK SOOL, therefore, being a systematic study of the three ancient martial art traditions of Korea's past, is deeply committed to the HWA RANG (5) warriors' code of chivalry. Great stress is placed on the fact that its techniques should be used for purposes of self-defense only. However, we must not lose sight of the fact that within the Korean martial arts, the term 'martial' actually means 'warlike' or 'fighting ways', and 'arts', in this context means "refinement of physical and mental skills." Inherent in this overall conceptualization is the view that fighting - if one must indulge in such a thing - is raised, not only to a morally justifiable level, but also to a refined and highly respected form.
ANCIENT HISTORY - Tribal Era: 30,000 BCE - 57 BCEWe begin our review of the origins of the now highly sophisticated Korean martial arts with the tribal era, which covers the period from the Paleolithic Age to around the start of the Common Era.
Paleolithic Age - 30,000 BCEArcheological research has ascertained almost certainly that man has inhabited the Korean peninsula since the late Paleolithic Age, some thirty thousand years ago. Excavations in Both north HAM GYONG Province (North Korea) and CHUNG CHONG Province (South Korea) have unearthed stone cutting tools, remnants of human hair, charred wood and carved stone-tablets depicting ancient stone weapons. This evidence would suggest that Paleolithic Koreans were hunters and gathers who lived either in the shelter of caves, or in the open along the great rivers and who, almost certainly, had to fight to survive in an inhospitable world.
Neolithic Age - 3,000 BCEModern Koreans are probably the descendants of a number of migrating tribes originating in Central Asia (Manchuria, Siberia), who moved southwards, settling along the great rivers and east and south coasts of the Korean peninsula,. These Neolithic Koreans lived either in caves or in communal sunken pits, which they covered over with thatched roofs. fishing and hunting were their main means of survival, although crude agricultural implements that have been discovered would suggest that they knew some methods of farming.
The Legend of Tan Gun- 2333 BCEThe earliest name give to the Kingdom of Korea was CHOSON- 'land of the morning calm', or 'morning freshness' - by the legendary founder of the nation, TAN GUN. (6)
As legend has it, a god named HWAN UNG decided he wished to live in the human world, and chose TAE BAEK SAN (7)
Mountain (one of the three highest peaks in the MYOH YANG, or Ever-White Mountain range in North Korea) as a suitable place to live. When HWAN UNG descended from heaven, he appeared under a sandalwood tree.
He brought with him three thousand loyal heavenly subjects, who were to be responsible for teaching the people a number of useful arts and crafts, which included farming and healing. HWAN UNG undertook also to
instill upon the people moral principles, as well as to impose a code of law. The legend continues that at this time there lived in a nearby cave a female bear and a tigress, who both wished to become human.
HWAN UNG took pity upon the creatures and told them that if they followed his instructions they would both, within a period of one hundred days, be transformed into human beings. Only the bear followed faithfully
HWAN UNG's instructions and after the appropriate time became transformed into a woman. When the bear-woman was unable to find a husband, she prayed under the sandalwood tree to HWAN UNG who answered her prayers by
marrying her. Their offspring was named TAN GUN WANG GOM - 'King of Sandalwood.'
In 2333 BCE (Traditional date), King TAN GUN chose PYONG YANG (now the capital of North Korea) as his royal residence and bestowed the name of CHOSON upon his kingdom. Later King TAN GUN moved his capital to ASADEL on TAE BAEK SAN Mountain, where he ruled for several centuries until King WU of CHOU (ancient Chinese dynasty) placed KIJA on the throne as King of CHOSON in 1122 BCE (traditional date). When King KIJA arrived at ASADEL, TAN GUN left for CHANG TANG KYONG, but later returned once more to ASADEL and the TAE BAEK SAN Mountain, whereupon he became a mountain god at the age of 1,908!
Legend and mythology aside, it is perhaps reasonable to assume that the origins or roots of the now highly sophisticated modern Korean martial arts had their humble beginnings in that tribal era which occurred at the very dawn of Korean History.
Sa Do Moo Sool: Tribal Martial ArtsTribal martial arts are the oldest form of Korean martial arts known and in their basic form, existed among the ancestors of the Korean race. Weapons were originally fashioned out of stone and then bronze with the coming of the Bronze Age. However, the development of SA DO MOO SOOL, as a martial art system, can be traced back to the period known as KO CHOH SUHN or Old Korea (circa 2000 BCE - 57 BCE).
During this period of development, weapons were made out of naturally occurring materials such as stone, bronze and wood, and also from animal parts such as bones and the antlers of deer. Weapons that were used to hunt for food, or to attack, or fight off, hostile enemies were the SUEK KUM (stone knife), SUEK CHANG (stone spear), SUEK BOO (stone axe), and the HWAL SUL (bow and arrow), alongside these stone spears, and crude bronze swords, SA LAK SOOL (sand spreading or throwing techniques) and TU SUEK SOOL (stone throwing techniques) were developed in this era. (8)
As tribal settlements flourished, it was found beneficial for some to form alliances for mutual protection. In the north these tribal confederations were known as BU YE, and in the south, they were known as SAM HAN.
Even in this early period, the MUSA (warrior) lived by a strict code of behavior. If the code was broken, punishment would be administered. The severity of the punishment that followed was directly related to the severity of the crime. For example, punishment could range from a period of enslavement to the family or person from whom the offence of theft took place, to execution, if the crime was one of murder, or rape.
The Three Kingdoms Period: 57 BCE - 668 CEThe tribal era was followed by a period known as the Three Kingdoms. This epoch, which lasted from 57 BCE to 668 CE, was characterized by the partitioning of Korea into three distinct zones: SILLA, KOGURYO, and PAEKCHE. These regions were at almost continual war with one another, and the fighting led to a rapid development in the Royal Court martial arts. The advancement of the martial arts during this time was also greatly influenced by the introduction of Buddhism to Korea. Each of the Three Kingdoms will be Briefly described before we turn to inspect in detail the influence of Buddhism on the Korean martial arts.
Silla: 57 BCE - 935 CEThe found and first king of SILLA was HYOK KO SE (57 BCE - 3 CE). (9) There were six clans that formed this kingdom and they were collectively called HAN. The name HAN possibly suggests a degree of influence by the HAN dynasty of China. However, they developed their own indigenous culture and to a certain degree their influence, in turn, spread to china. Their main occupation was farming and keeping livestock, and they successfully traded farming and cooking implements (probably made of iron) with China.
Koguryo: 37 BCE - 668 CEA tribe of wandering nomads called BUYE, comprising of five clans, was to establish the northern part of the peninsula as a kingdom. The founder and first king of KOGURYO was TONG MYONG (37 BCE - 18 BCE). He was renowned for his martial art skill - being especially proficient in the use of KANG SHI (archery). Although under threat from the HAN dynasty of China, KOGURYO managed to retain its independence. Hunting and fishing formed the main way of life for these nomadic people.
Paekche: 18 BCE - 668 BCEThe founder and first king of PAEKCHE was ONJO (18 BCE - 27 CE) who was a son of TONG MYONG, first king of KOGURYO. The kingdom of PAEKCHE was formed from tribes called HAN as was SILLA. Although this kingdom persisted for 686 years, it was destined never to have its own native rulers. Farming and fishing were the main means of survival.
Kaya: 42 - 562 CEIt is appropriate to mention that there was a fourth, relatively smaller kingdom, situated in the south, between PAEKCHE and SILLA. The traditional founding date for this kingdom, which was called KAYA or KARAK, is 42 CE. Although a small kingdom, KAYA had a considerable influence on Japan before it was finally absorbed by SILLA in 562 CE.
Koong Joong Mu Sool: Royal Court Martial ArtsWith the establishment of the three kingdoms came the creation of royalty, royal armies, and in turn, Royal Court Martial Arts.
Throughout their entire existence, the three kingdoms were (almost) constantly in conflict with each other, with frequent alliances of two of them against the third, and sometimes alliances
were formed with China or Japan: these foreign powers were always looking for an opportunity to eventually rule the entire peninsula. This relentless struggle for expansionism and supremacy over the peninsula
ensured that the royal armies were kept in a state of constant battle readiness.
At different times in each of the three kingdoms, elite warrior forces were formed, made up from the sons of royalty, noblemen and families of good background. In SILLA, the elite force was called the HWA RANG, in KOGURYO, it was known as the SUN BAE, and in PAEKCHE it was known as the SU SAH.
These warrior groups were variously encouraged to study martial art skills such as archery, swordsmanship, knife throwing and unarmed conflict. Contests were held such as archery, while riding on horseback; and, as an incentive to warriors to become more proficient, the winners were awarded high positions in the royal court. Competition was keen, and it was not unknown for contestants, especially those engaged in unarmed combat (fighting with just their bare hands and feet) to be fatally injured.
In general, similar military systems existed in all three kingdoms. As the warriors of these elite corps were to become their respective kingdom's future military and political leaders, they were also tutored in the fine arts, literature and music, as well as being educated in political and social skills. Although these differing military institutions existed in each of the three kingdoms. It was in SILLA, with the order of the HWA RANG that this elite corps was ultimately to claim the prize of the overall control of Korea. However, as the kingdoms developed, so did their cultural, philosophical and religious perspectives, all of which were to have a profound effect on their collective military and social psyche. Before continuing with KOONG JOONG MU SOOL, it is necessary at this point to look at the specific influence that Buddhism, and Buddhist martial arts in particular, had on the historical development of the Royal Court martial arts.
Bul Kyo Mu Sool: Buddhist Martial ArtsThroughout history, religion has influenced every major civilization in the world and Korea is no exception. The oldest form of religion known to Korea is SHAMANISM, or ANIMISM, based on the belief that spirits dwell within the forces of nature, as well as in inanimate objects. One popular example of this belief is the worship of the mountain god or spirit, which is usually symbolized by a white-bearded old man, with a tiger at his feet.
When BUDDHISM was introduced to Korea, during the three kingdoms period, it was able to exist in harmony with Shamanism as certain Buddhist concepts were not entirely in conflict with traditional Shamanistic beliefs. This is quite clearly illustrated by the fact that Shaman mountain-god shrines are to be found in almost all Buddhist temples. The traditional dates of introduction of Buddhism to Korea are:
KOGURYO - 372 BCEintroduced by the Chinese monk SUNDO
PAEKCHE - 384 BCEIntroduced by the Indian Monk MARANANTA
SILLA - 417-458 BCEIntroduced by the Korean monk ADO (who studied in China)
Confucianism and Taoism were also introduced about this time, but were destined not to have the same influence as Buddhism until much later. However, both of these systems of philosophical thought were to make significant contributions to the overall Korean martial art psyche.
With the introduction of Buddhism into Korea cam BUL KYO MU SOOL - Buddhist martial arts - which were to contribute greatly to the development of Korean martial arts. However, first it is necessary to explore the paradox of Buddhist martial arts! Why did members of a religious/philosophical movement, strongly committed to the pursuit of non-violence to any sentient being, feel compelled to develop a highly skilled and scientifically worked out martial arts system and become involved in the fighting ways of the secular world? There are three reasons that can be identified to answer the paradox which all revolve around practical and humanitarian issues: health, personal safety, and defense of the temple and homeland. These are now discussed in turn.
1) HealthA fundamental requirement of a Buddhist monk is to sit or kneel in meditation (usually on hard, wooden floors) for long periods of time. Inevitably, this would lead to health problems such as poor circulation, poor digestion and assimilation of food and muscular weakness. Therefore, over the centuries, the monks developed special techniques that would enable them to endure and recover from these grueling meditative practices and to become stronger and healthier generally. Among these special techniques were WHAL BUB, or external healing techniques such as acupressure, acupuncture and bone setting (chiropractic/osteopathy) and HYUL BUB, or internal healing such as blood circulation stimulation techniques, deep abdominal KI (universal life force) breathing techniques, herbal medicines and dietary considerations. As the monks developed and used these special techniques, they became increasingly stronger and were able to achieve harmony between NAE GONG (mental or inner power techniques) and WAE GONG (physical, or outer power techniques).
2) Personal SafetyAnother characteristic of the Buddhist faith is begging for alms, which is often undertaken by novice monks. this entails traveling within the local community to call upon individual houses to pray for happiness and prosperity and in turn to receive a donation of food. Even this simple exercise could prove dangerous in those ancient times, as thieves and bandits did not always discriminate between people from the religious and secular world!
On other occasions, these men of peace would travel from one temple to another, often carrying valuable scriptures engraved on gold leaf. Again, they were very vulnerable to attack from opportunist thieves and bandits. Therefore, some form of self-defense was considered necessary to enable them the monks to survive the relatively hostile world. However, although they did not want to be harmed personally, they also did not want to cause harm to anyone else - net even an attacker! Thus, they worked out a skillful and scientific system of self-defense. Not only did the system employ a minimum amount of force necessary to subdue an attacker, it also provided the monks with the required anatomical knowledge and skill to help them heal any injuries they necessarily or inadvertently caused the aggressors in the process of defending themselves. A humanitarian outlook such as this can surely only be found in the highest ideals of the human spirit. Many of the empty-had self-defense techniques that the monks developed were as a result of observing different creatures from the natural world. For example, there were movements and techniques that bore the characteristics of animals such as the tiger, bear and snake; birds such as the eagle and crane; and insects such as the praying mantis. Mythical creatures such as the dragon also found expression in this system.
Although their Buddhist counterparts in the SHAOLIN Temple of China had also developed fighting systems of self-defense based upon mimicking the exact movements of these creatures, for the Korean monk it was the creature's unique 'essence' or 'fighting spirit' that was observed, understood, and embraced. One reason why the Korean monks held this point of view was simply that it was considered that man was superior to these creatures and that it would be undignified to copy exactly the movements of a perceived lower form of life.
It is interesting to note also that, although primarily their skills were with their empty hands, some very important weapons that were considered 'natural', that is to say, 'non-bladed', because of the Buddhist precept of the prohibition of killing. Among these weapons were BONG SOOL (staff technique), DAN BONG SOOL (short staff technique) and JI PAING EI SOOL (cane or walking stick technique). Even to this day, it is surprising how powerful and effective a coiled up newspaper or magazine can be, utilizing DAN BONG techniques! However, where weapons are concerned, it is to be mentioned that these warrior monks used bladed weapons such as swords and spears in times of national emergency.
3) Defense of Temple and HomelandAt different times in history, when invading armies threatened to overrun their homeland, these patriotic warrior monks took up arms to protect their temple and country. For many centuries after it was first introduced, Buddhism held a special place in Korean society, being designated as the national religion. There were many links between Buddhism and the government. As more often than not the king had strong Buddhist beliefs, donations of land and favor were often made. Therefore, there was, to some extent, an obligation on the part of the Buddhist movement to assist in times of national emergency, and perhaps to a certain degree some self-interest to protecting their way of life. Nevertheless, when asked to fight off hostile aggressors, the Korean monks were fiercely patriotic and became known as "defenders of the Nation'. If it were not for the contribution of BUL KYO MU SOOL, the history of Korea might well have been quite a different story.
The Order of the HWA RANGThe influence of Buddhism on Korean martial arts can perhaps be most easily and directly traced to the role played by the now legendary Buddhist monk, WON KWANG DAE SA, in the formation of a fighting elite known as the HWA RANG. The formation of this elite warrior corps has an interesting history, which is now described before detailed attention is paid to the HWA RANG.
A significant time for the kingdom of SILLA came during the reign of CHIN HUNG (540-576), 24th king of SILLA, as it marked the beginning of the eventual domination by SILLA of PAEKCHE and
KOGURYO, which was to last almost three centuries. After King CHIN HUNG had ascended the throne, he became strongly influenced by Buddhism and had many temples and monuments built throughout SILLA. He was also fond
of physical elegance and beauty and established an organization called WON HWA (10) ('original flower'), which consisted of the most beautiful
and articulate of SILLA maidens, who were selected in beauty contests from all over the kingdom. Those who were successful were taught worthwhile virtues, so they could become suitable wives of high court officials
and noblemen and eventually good and wise mothers. However, tragedy struck when in one such beauty contest there were two leading contenders one was called NAM MO, the other CHUN JONG. Of the two beautiful
maidens many particularly admired NAM MO, causing CHUN JONG to become jealous, whereupon she devised a plot and murdered her rival. When the king eventually discovered what had taken place, he was furious and had
CHUN JONG put to death and ordered the WON HWA to be abolished.
After a period of time, King CHIN HUNG replaced the WON HWA with the order of the HWA RANG ('Flower of Youth'). Initially, this group of young men, consisting of royal sons, noblemen and other young men of good physical stature, character and background, were tutored in the fine arts such as literature, music and art, as well as political and social skills. However, it was later considered that, although the HWA RANG were more than adequately prepared to meet the challenge of life on a social level, on the physical level, their skills were not sufficient to survive personal attack, or to assist the nation in times of war. Therefore, it was further considered that to make them more balanced human beings they needed to be trained in the martial arts. It was at this point that they Buddhist monk WON KWANG DAE SA is thought to have had a major influence on the HWA RANG and concomitantly the development of Korean martial arts.
WON KWANG DAE SA was not only a scholar of Buddhist and Confucian classics, but had also developed and become a master of his own comprehensive system of martial arts.
Under the supervision of WON KWANG DAE SA at his temple school in the mountains (possibly the HWANG NYONG SA temple of SAM GI SAN Mountain), the members of the warrior force trained
themselves unmercifully. They utilized all aspects of martial ways to such a degree that, if
they should lose their weapons in battle, they
could be as deadly and lethal with just their bare hands and feet. Not only did they develop deadly fighting skills, making them as warriors almost invincible, they were also instructed in matters of government and
state, as well as encouraged to study the arts, literature and music.
However, due to the very nature of their way of life it the service of their king and country, the HWA RANG were unable to embrace all Buddhist doctrine. Nevertheless, they were instilled with the higher ideals and virtues, and it is reasonable to assume that they assimilation of this very humane philosophy played an important role in the formation of their overall character.
The 8th century SILLA historian, KIM TAE MUN, wrote the records of the HWA RANG, which were known as the HWA RANG SEGI. These records are not now extant, however, from later writings using those records as their source, we are told that two young HWA RANG, KUI SAN and CHU HWANG, were instrumental in receiving from WON KWANG DAE SA the SE SOK O GYE or Five commandments of the HWA RANG. The HWA RANG also received the KYO HOON, or Nine Virtues of the HWA RANG. Both the SE SOK O BYE and the KYO HOON are still honored and adhered to today by many masters and students of the Korean martial arts.
|
The Se Sok O Gye: 1 - IL: Sa Kun E Chung - Loyalty to one's country 2 - EE: Sa Chin E Hyo - Honor and respect towards one's parents 3 - SAM: Kyo U E Shin - Trust and sincerity in friendship 4 - SA: Inn Hun Mo Teh - Courage, never retreat in the face of the enemy 5 - O: Sai Sang U Tek - Justice, never to take a life without just cause |
|
The Kyo Hoon 1 - IN: Humility 2 - OUI: Justice 3 - YEH: Courtesy 4 - JI: Wisdom 5 - SIN: Trustworthiness 6 - SUN: Goodness 7 - DUK: Virtue 8 - CHUNG: Loyalty 9 - Yong: Courage |
This impressive code of conduct and chivalry enabled the HWA RANG to justify their martial ways and to live balanced and worthy lives. One young HWA RANG named SOL WON NANG, stood out above all the others and was made the head of the order with the title KUK SON. This, then, was the beginning of the HWA RANG DO (12) ('Circle of Flowering Youth'), who, through their physical, mental and spiritual superiority, were to be instrumental in the eventual unification of the three kingdoms under the most famous HWA RANG of all - General KIM YU SHIN.
General Kim Yu ShinBeing a member of the elite order of the HWA RANG, KUM YU SHIN was an outstanding student of the martial arts and by the age of 18 had become an expert swordsman. He went on to become a KUK SON (head of the order). However, upon meeting a young girl name CHONG GWAN, he fell in love and began to spend more and more time with her. As a consequence, his martial art training suffered and it soon come to the attention of his mother, who frowned upon the liaison. She considered that his military career could be adversely affected if this affair were to continue. To save her son from ruin, she forbade him ever to see CHONG GWAN again. KIM YUH SHIN, being a faithful son and adhering to the HWA RANG precept of SA CHIN E HYO (honor and respect towards one's parents), vowed never to see CHONG GWAN again. However, one night, the weary warrior fell asleep on his horse and his faithful charge took him to the house of CHONG GWAN. When KIM YU SHIN realized where he was, and that inadvertently he had almost broken his vow to his mother, he immediately destroyed his horse. Filled both with anger and remorse, he made his way to a mountain cave, where he spent his time in training and meditation in order to purify his body, mind and spirit.
The legend that surrounds this story continues that the gods were so moved by KIM YU SHIN's adherence to the HWA RANG code of filial piety and selfless dedication to his training, that they bestowed upon him a specially engraved sword and several special texts. It was later considered that these gifts from the gods were to help KIM YU SHIN to eventually become, not only one of the most skilful swordsmen in Korean history, but also the greatest general Korea had ever seen. This in turn ultimately led him to fulfill his destiny of unifying the three kingdoms of Korea.
THE SILLA DYNASTY: 668-935 CEThe period of the three kingdoms were followed by a time of rapid unification when the SILLA kingdom rose to dominate and integrate the other kingdoms into one country. This period also saw further development in the martial arts.
The unification of the three kingdoms came in a single decade, which saw a successful alliance between SILLA and the rulers of the Chinese TANG dynasty, who had observed that pervious single-handed attempts by rulers of the preceding Chinese SUI dynasty had failed time after time to conquer KOGURYO.
In coordinated attacks by SILLA and TANG forces, PAEKCHE, a kingdom for 676 years, fell in 663 CE, and subsequently KOGURYO, a kingdom for 705 years, fell in 668 CE. The powerful Chinese rulers set up provisional governments and established military garrisons in both the conquered kingdoms. As soon as this was accomplished, they made preparations to turn against SILLA in order to conquer and thus rule the entire Korean Peninsula.
As fierce battles raged between TANG and SILLA, revolts and uprisings began to flourish in the previously conquered territories of PAEKCHE and KOGURYO. To some extent, these revolts were aided by the occupying SILLA troops. After a period of time, the TANG rulers realized they could not control the Korean peninsula and offered to allow the SILLA monarchy to rule the entire Korean peninsula under a special arrangement. It was agreed that each succeeding Korean monarch would first have to apply to the Chinese emperor for a Gold Seal of Recognition of his legitimacy to ascend the Korean throne.
There is no doubt that SILLA's conquest of PAEKCHE and KOGURYO, and eventually the TANG forces - their former allies who had turned against them - was due to the decisive role played [by]
the HWA RANG. This elite warrior force, whose dedication to the perfection of their
physical and mental skills in the martial arts, and the outstanding heroism of their leader. General KIM YU SHIN,
inspired the SILLA armies to many famous victories. Although the HWA RANG were finally victorious in unifying the Korean peninsula, they did not always have it their own way. Other elite, military and
cultural groups existed both in PAEKCHE and KOGURYO.
In the kingdom of PAEKCHE, the elite warrior force was known as the SU SAH, who also had a structured, military, political and cultured background. They too were influenced by BUL KYO MU SOOL and over the years won many battles with their neighbors. One SU SAH general named GAE BAK was particularly victorious over the HWA RANG, winning many famous victories. However, his last battle ended in defeat, which brought to a close the kingdom of PAEKCHE, as SILLA went on to unite the Korean peninsula under the General KIM YU SHIN.
One special martial art technique that the SU SAH were expected to be skilled in was called SOO SAH, two-man empty hand sparring. Each participant was expected to attack and defend against the other and, if they had not trained sufficiently, they could expect to sustain injury. One PAEKCHE warrior named AH DONG UN KI, was extremely skillful and used his hands and arms like swords - cutting through his opponents defense system. he became renowned for his martial skills and taught many PAEKCHE warriors his unique style of fighting.
In the kingdom of KOGURYO, the elite warrior force was known as SUN BAE. once again, their military training was structured in such a way that they could be taught cultural and political skills as well as military ways. One special technique that the SUN BAE warrior was particularly skilled in was TOO GUM SOOL - knife throwing technique. Each SUN BAE would carry around his waist five short knives and a stone (for sharpening the knives). This particular skill proved to be extremely useful in fighting situations where the SUN BAE warrior was faced with several attackers.
The SILLA dynasty began gradually to decline towards the end of the 9th century CE. Several reasons were to contribute to this. Prominent HWA RANG were encouraged to study fine arts and politics to a greater extent and to disregard their martial arts training. Weak and corrupt rulers allowed internal power struggles between court officials and noblemen to continue. This in turn caused divided loyalties and a drop in morale among the troops and a decline of the HWA RANG code. Robbery and violence became commonplace as bandits roamed the countryside unchecked, which in turn caused civil unrest. Uprisings and rebellions began to spread and became increasingly difficult to contain. Events were also taking place in the territories that were formally known as PAEKCHE and KOGURYO that were eventually to bring down the SILLA dynasty.
In the north (previously KOGURYO), an exiled SILLA prince name KUNG YE together with a rebel-bandit named YANG KIL TUN, successfully led a rebellion gaining territory of the Han River
(circa 890 CE), KUNG YE called his territory KORYO, an abbreviation of KOGURYO, and the name from which the modern Korea is derived. In 918 CE, KUNG YE died (there are references to a coup) and one of his
generals came to
power. General WANG GAK KUN, moved the capital of KORYO to SON GAK KUN, where he was crowned as the first king of KORYO, becoming known as King TAE JO, the founder of KORYO. Over the
following years, King TAE JO proceeded to have a royal residence and many Buddhist temples built.
Meanwhile the south (previously PAEKCHE) was under the command of a SILLA general named CHIN HWON. He was also known as the 'Tiger-Spirit' general. As legend has it, when he was a baby, his mother, while taking food to his father, laid the infant down among some bushes. Unknown to the parents a tigress found the infant and played with him, as she would her own cub, thus, when the infant grew up, he had the face and spirit of a tiger.
General CHIN HWON, aware of the unpopularity of the Queen CHIN SONG (888-898 CE), 51st monarch of SILLA, rose in revolt, knowing that many thousands of people would follow him. He successfully re-established PAEKCHE as a kingdom.
Several years later, in 926 CE, King CHIN HWON mounted an attack on the SILLA capitol KONG JU. King KYONG'AE (924-927 CE), 55th SILLA king, who was merrymaking at the time, sent an envoy to KORYO asking for assistance from King TAE JO, but the ferocity of the attack by the tiger-spirit general was too much, and KYONG JU fell. The king was murdered and the city ravaged. Before King CHIN HWON left KYONG JU in triumph, taking with him many treasures, he installed a distant cousin of the murdered king, KONG AE's successor. King KYONG SUN (927-935 CE), 56th and last SILLA king. However, it was inevitable that, due to the decline of the HWA RANG order in SILLA, the new, powerful KORYO and their King TAE JO, would succeed in taking over the entire peninsula.
In 935, King KYONG SUN surrendered and abdicated the throne of SILLA in favor of King TAE JO of KORYO. Thus ended the once mighty SILLA dynasty after 992 years as a kingdom, and 268 years of total domination of the entire Korean peninsula.
THE KORYO DYNASTY: 935-1392 CE
The KORYO dynasty saw Buddhism rise as a major influence within Korea and Confucianism gradually gaining more respect and influence in the country.
After defeating the re-established PAEKCHE kingdom in 935, King TAE JO became the ruler of the entire Korean peninsula. Although a powerful man, the first king of the KORYO dynasty showed himself to be wise and benevolent, especially towards former SILLA royalty and noblemen. This was demonstrated by allowing his daughter to marry ex-king KYONG SUN and bestowing upon her the title of the Princess of NANG NANG, which was another name for SILLA. He later married the daughter of King KYONG SUN's uncle, Prince OK NYOM, and she became the Queen SIN SONG: this further established a close relationship between the royal families.
Although Buddhism had flourished since its introduction to Korea during the three kingdoms period, it was in the KORYO dynasty, beginning under King TAE JO, that it was to have unprecedented influence and power, although this was to lead eventually to the downfall of the KORYO dynasty.
It was during the KORYO dynasty that the Confucianism was also to flourish, and there began a trend towards encouraging the fine arts and despising the martial ways of the past.
Probably because of this attitude, the 13th century saw hordes of Mongol armies under the leadership of GENGHIS KHAN continually attacking and invading KORYO. So fierce and intense were the Mongols that King KO
JONG (1213-1259) a
KORYO dynasty king, had to take refuge on KANG HWA island, where he set up a provisional government in exile.
It was during this time that King KO JONG was on KANG HWA Island that one of the most important cultural achievements of Korean history was completed. The TRIPITAKA KOREANA - which consists of over 80,000 engraved wooden blocks - took almost 16 years to complete and remains the oldest and most comprehensive collection of Buddhist scriptures surviving in the world today.
Another facet of the cultural excellence that the KORYO period achieved was in ceramics, which are renowned throughout the world. Also, the invention of moveable metal type is now credited to the KORYO dynasty, after the discovery of a Korean book at the French National Library in Paris. The book, dating back to the early 14th century, was almost certainly printed by moveable metal type, the first to be used anywhere in the world.
Towards the end of the 14th century (1392), an eminent KORYO general YI SONG GI was sent north against his will by King SHIN YU (last KORYO dynasty king) to fight the MING armies of China. This was after numerous exchanges with MONGOL tribes, and also disenchantment with the corruption of royalty and high court officials, much of which was caused by Buddhist influence in political affairs.
During the campaign, the general had a dream which, when translated by the Buddhist monk MU HAK DAE SA, prophesized that he would one day be a king. This prophecy was to be fulfilled sooner than he thought, as shortly afterwards he decided to revolt against King SHIN YU, and turned back with his loyal armies. With a surprise attack, General YI SONG GI captured SON DO, the capital of KORYO (now KAE SONG in North Korea), and deposed the king. Thus, the KORYO dynasty came to an end after 456 years and heralded the beginning of the YI dynasty that was to last over 500 years.
THE YI or CHOSEN DYNASTY: 1392-1910 CE
The YI dynasty saw a number of developments in the martial arts, which included a more widespread practice of the arts in response to Chinese and Japanese aggression, and a more rigorous documentation of the traditional Korean martial arts.
General YI moved the capital from SON DO to HAN YANG (now SEOUL, present capital of South Korea), and in 1392 was crowned King YI TAE JO II - 1st YI dynasty king. Soon after King YI TAE JO II came to power, many leading scholars and government officials refused to recognize him as king, preferring to stay loyal to the deposed King SHIN YU (last KORYO dynasty king), and they retired to a place called TU MAN DONG. King YI TAE JO II, asked them to return to the new capital to assist in rebuilding the nation after years of corruption in government and misrule, however, they refused to listen to the king's pleas. Finally, in a last, forceful effort, the king sent officials and troops to TU MAN DONG with orders to set fire to the dissidents' houses. With nowhere to live, the king would then offer them new homes in the new capital. Once there, he would then gradually be able to entice them back into the government and other important duties. This plan was to go terribly wrong as all the scholars and officials stayed in their homes and perished with their families. This grave misjudgment by King YI TAE JO II was to deprive Korea of some of the finest scholars of the day, and the tragedy made acceptance of the new dynasty all the more difficult to achieve.
Buddhism, which had greatly contributed to the downfall of the KORYO dynasty due to its interference in political matters, was replaced with Confucianism as the main ideology of the nation, both officially and privately. This further suppressed the martial ways and encouraged scholarly pursuits. It was during this time that the first national university was established. Once again, the martial arts had to go back to the secret confines of the monasteries and temples to be practiced and developed surreptitiously as they had been for centuries previously.
A new era emerged under King Yi SE JONG (1418-1450), 4th YI dynasty king. Developments in science, technology, literature, music and philosophy were impressive, although the greatest achievement of this enlightened monarch was the invention of HAN GUL, the Korean phonetic alphabet. This alphabet is considered to be one of the most scientifically efficient ever conceived. The author H. G. Wells once said:
"The Japanese writing system remains a clumsy system, though not so clumsy as Chinese, Korea long ago went a step further and developed a true alphabet."
In the year 1592, during the reign of King YI SON JO (1567-1608), 14th YI dynasty king. Korea was invaded by Japan under the Emperor TOYOTOMI HYDEOSHI. In battle after battle the unprepared Korean armies were defeated as the Japanese invaders mounted merciless attacks. The capital SEOUL fell within two weeks, causing the king to flee north. Within three months, the Japanese occupied most of Korea. Many homes, temples, and palaces were either looted, burnt or destroyed, as the Japanese continued with their ultimate goal of the invasion of China.
It was during this time that a Korean martial arts master named HAN KYO wrote a book called MOO YEA JAE BOO, which translates as 'A Comprehensive Manual of the Korean Martial Arts'. For many years, he had secretly researched the indigenous martial arts of Korea as that only the most effective and scientifically sound techniques would be recorded. Once the tome was written, he the instructed a few chosen students to pass on his knowledge so that it could be used against the invading Japanese aggressors.
Admiral Yi Sun Shin
Although on land the Japanese destruction of Korea was almost total, it was quite a different story out at sea. Newly developed Korean warships, shaped like giant turtles and clad in iron (the first iron warships in the world), were to prove to be superior and a turning point in the sea battles that followed. The Japanese fleets suffered sever losses and retreated as the greatest military commander Korea had seen since General KIM YU SHIN, seven centuries earlier, emerged in the annals of Korean history. His name was YI SUN SHIN and under his brilliant leadership the Korean navy won many famous victories.
The life of Admiral YI serves as a good example of the HWA RANG fighting spirit. He was a patriot who devoted his life to the service of his country. In 1591, one year prior to
the Japanese invasion, Admiral YI was a newly appointed naval commander. Being an educated man and versed in military science, he realized the Japanese threat to his country was serious. he diligently set
about building his innovative warships, stockpiled large amounts of weapons and ammunition and made sure that his sailors were trained and battle ready. When the war began, Admiral Yi and his turtle boat
armada were prepared. The superior build warships, together with superior strategy and battle readiness of the Korean fleet, ensured victory after victory. Some of the famous sea battles the Korean navy won
were at OKPO, DANG PO, DANG HAN PO, HAN SAN DO and PUSAN, thwarting the Japanese ultimate goal of conquering China.
In 1597, due to internal politics, Admiral YI lost his command and he was demoted to the rank of private. However, in 1598 when the Japanese fleets again attacked Korea, Admiral YI was reinstated, only this time he was made supreme commander of the entire Korean navy. In a surprise attack, Admiral YI and his turtle boat armada defeated over 500 Japanese warships at the battle of NOR YANG. This proved to be a decisive battle and saw the end of the Japanese expansionist policy for many years. However, it was a sad day for Korea as Admiral YI SUN SHIN lost his life during the battle. He was aged 54.
It was not long after Admiral YI SUN SHIN and his turtle boat armada had saved Korea from the Japanese that once again the land of morning calm was under siege. The MANCHU, who were struggling for power with the MINGs in China, invaded Korea in 1627, and again in 1636. This led the YI dynasty rulers to establish a policy of seclusion from the outside world causing Korea to become known as the hermit kingdom. Only Christian missionaries and priests (who were generally persecuted for their beliefs, which were in conflict with national Confucian principles) breached this seclusion. Indeed, in 1791, the Christian Church, which had an estimated 6,000 Korean followers underwent considerable persecution with hundreds of followers being executed.
With continued aggression by the Chinese and Japanese, there began to be a change of policy towards the martial arts; a renewed interest in self defense of the individual as well as the nation.
In 1790, another Korean master of the martial arts, LEE DUK MOO, was asked by King YI CHONG JO (1776-1800) 22nd Yi dynasty king to compile and write MOO YE DO BO TONG GI or 'A General Introduction to the Korean Martial Arts'. This great tome, which was compiled from the MOO YEA JAE BOO and other manuscripts, consisted of four volumes: the first volume described and illustrated various weapons techniques using KWAN SOO or spear; the second volume described and illustrated GUM SOOL or sword techniques; the third volume described and illustrated the use of weapons such as GUM or sword whilst riding on horse back and also the BONG or staff techniques; the fourth volume described and illustrated empty-hand combative techniques. This particular volume described detailed locations of vital points or target areas of the body. Knowledge of these vulnerable parts of the body gave the warrior the ability to inflict devastating blows to an opponent with minimum amout of effort. Because the knowledge contained in these books was so potentially lethal - it was said a warrior skilled in these techniques could kill a tiger with a single blow - LEE DUK MOO made it clear that only students of good moral character should be taught these methods. Five principles were established that a student should exhibit before being allowed to learn these techniques:
1) Virtue
2) Trust
3) Intelligence
4) Courage
5) Discipline
In 1905, Korea once again became the target of Japanese expansionism. Fresh from victories over China in 1895, and Russia in 1905, Japan decided to annex Korea, eventually forcing King YI SUN JONG (1907-1910), 27th and last YI dynasty king, to abdicate the throne after a reign of three years. This defeat brought to an end the Korean monarchy, and with it the YI dynasty, after a reign of 500 years.
KUK SOOL WON - A Brief History: Footnotes
1. The Korean system of writing the clan name (family or surname) first and the give names second, has been used throughout this article. For example Korean: Lee, Sun Shin; Western: Sun Shin Lee
2. The nomenclature of BCE (Before the Common Era) and CE (Common Era) has been used throughout this article. The Common Era is chronologically equivalent to the Christian Era - i.e. 1 CE = 1 AD (Ano Domini). On occasions, contradictions in the dating of events, as well as differing versions of the same event appear in various texts. There are also of course many foreign events which had a profound influence and effect on Korea which could not be encompassed in this overview. I suggest, therefore that this brief historical sketch be viewed as a thin thread running through the fabric of Korean (martial arts) history.
3. Conversations with Grandmaster Suh, In Hyuk
4. The terms KUK SOOL and KUK SOOL WON are used interchangeably
5. The HWA RANG were an elite warrior corps and were established in the 6th century CE. They adhered to a code of honor that was not to dissimilar to King Arthur's Knights of the Round Table.
6. Korean Foundation Day, or TAN GUN Day, is commemorated each year by a national holiday, which is held on October 3rd.
7. It may be noticed that names that refer to either places, building or people have the same reoccurring suffix. These are explained as follows:
SAN - means mountain
SA - means temple
DAE SA - means priest or monk of the highest order
8. Although primitive techniques, SA LAK SOOL (sand-spreading or throwing) and TU SUEK SOOL (stone throwing), together with other weapons throwing techniques, were used with great success by they HWA RANG. Even now, they are still considered important techniques by contemporary masters of the Korean martial arts.
9. The date (in brackets) after a king or queen denotes ascension to the throne and reign period, and not birth and death.
10. It is generally considered that the WON HWA were forerunners of the now legendary Korean KISIANG, who can to a certain extent be compared to the Japanese GEISHA. It is certain the KISIANG, with their artistic and academic qualities, was well as their martial art skills, have played an important role in Korean history since their founding in the 6th century CE.
11. Although the evidence of the link between WON KWANG DAE SA, King CHIN HYUNG and the HWA RANG is equivocal, it is generally accepted as being highly plausible.
12. It should be noted that the HWA RANG was not seen as a martial art, but more as a code of honor, in a similar way as the SAMURAI of Japan were viewed some 500 years later. The character for 'DO' of HWA RANG DO means 'clan', 'group' or 'circle', and does not have the same meaning as the Japanese 'DO' or 'WAY' used in Japanese martial arts e.g. KARATE DO (The Way of the Empty Hand). Therefore, just as one does not state that one practices the art of 'SAMURAI DO', it is technically not correct to state that one practices the art of 'HWA RANG DO'. However, it may be that some contemporary organizations would beg to differ!